Please see here the poster for the women in Mathematics for social change and sustainable livelihoods conference in Naivasha, Kenya in July 2015.
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Mathematics Communication in AfricaNovember 7th, 2014
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Women in Mathematics for Social Change & Sustainable LivelihoodsMarch 4th, 2015
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AIMS-IMAGINARY Workshop 2014March 15th, 2015
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Women in Mathematics for Social Change & Sustainable LivelihoodsMarch 4th, 2015
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The domain of a composite functionMarch 4th, 2015
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Mathemafrica needs You!!February 18th, 2015
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Presentation of the Mathemafrica framework to an Italian audienceDecember 17th, 2014
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A personal introductionDecember 13th, 2014
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AIMS-Newsletter with a report on maths communication in AfricaDecember 8th, 2014
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Mathematics in Africa – news from the EMS NewsletterNovember 30th, 2014
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The fractals at the heart of African designNovember 24th, 2014
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A foray into a new number system – an introduction to imaginary numbersNovember 11th, 2014
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Mathematics Communication in AfricaNovember 7th, 2014
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Henri Laurie says:
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mbongeni nxumalo says:
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Jonathan Horn says:
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Interesting pictures of pattern of fractals illustrated by measuring scale and dimensions of a hair. It is just promoting mathematics in Africa as most African women shape their hair with different styles. It will also be attractive to study the pattern of a wool fractals.
The Eglash TED talk has lovely examples, but like all TED talks it is frustration because it skims so quickly over stuff. I can see the role he found for recursion, and he makes it clear that Africa seems much more advanced than the rest of the world in using recursive design at diminishing scales for all kinds of things, from personal adornment to buildings.
I am not so sure these patterns are fractal in the sense I am used to it. For instance, in the hairstyle above, is the idea that each of the curves continues down to infinitely small repeats of the basic T knot, and that there are infinitely many curves? And that there is a transformation that sends part of the pattern onto the whole? It rather seems to me that the African experience must include knowledge of how many scales to include, which I find a lot more interesting—scaling in nature also typically is over a limited range of scales.
A different aspect is the coverage of (part of) the sphere by what are basically long thin shapes. Of course it is known that any vector field on a sphere must have fixed points, and that if you interpret the trajectories on the vector field as hair, this means that to cover a sphere in hair you have to have whorls and crowns. Often said that a hairy sphere cannot be properly combed—that is, as you comb the hair you must get something that is not everywhere homeomorphic to parallel hair. Of course these hairstyles precisely do try to get rows that are locally homeomorphic to a set of parallel line segments. Do they nevertheless have to have some isolated points where this breaks down? Some of the styles collected by Eglash show such points, but on others it is less clear. Can a fractal design properly cover a sphere?